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Britney Spears: American Transcendentalist

Take a stroll around the internet and read the major reviews of Britney Spears’s new album, Britney Jean: Rolling Stone, Spin, Billboard, etc. Opinions are mixed, but few music writers (with one...

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Can Pop Save Us All?

  In a previous piece for this site, I wrote about music as a vehicle for accessing what I call “emotional culture.” I explained my personal connection to a few different songs, across multiple genres,...

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The Internet is Trying to Make You Cry

Writing, for me, has always been an emotionally charged experience, the ebbs and flows of language serving as a kind of barometer of my internal affective reality. It is a release, a catharsis that...

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Success Sans Tragedy: the Story of Katy Perry

Read the favorable reviews of the following films and you will get a sense of how thoroughly the rock-doc, music biopic genre has been reinvigorated: Montage of Heck, Amy, What Happened Miss Simone?,...

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Dame Ethel Smyth: Feminine/Feminist Composer

On March 12, 1903, the Metropolitan Opera staged its first-ever opera by a female composer: Der Wald, by Dame Ethel Smyth. There would only be two performances of Smyth’s opera at the Met. The first...

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The Mechanical Age: Automata between social critique and the uncanny

In 1824, Italian poet and philosopher Giacomo Leopardi (1789-1837) wrote a fictitious announcement to be included in his famous Moral Essays. The imaginary Academy of Syllographs would have awarded a...

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